English 102:  Syllabus & Course Description, Fall 1999
Dr. Nancy Chick

Contact Information
Office: 121 Meggers Hall
Office hours: TBA & by appointment
Email: nchick@uwc.edu
Phone: 234-8176, ext. 5425

Meeting Time & Place
9 - 9:50 (MWF) in SC 402B
12:30 - 1:45 (TTh) in SC 402C

Required Materials
Lunsford & Connors St. Martin's Handbook (SMH on syllabus)
Moser & Watters Creating America (CA on syllabus)
An unabridged college dictionary, available in UWBC bookstore
A large, three-ring notebook & plenty of paper
3½" floppy disk

Course Description
According to UWBC, English 102 is a "rhetoric course that focuses on writing which presents information and ideas effectively, with attention to the essay and techniques of documentation.  Emphasis will be on academic writing which is applicable across the curriculum." The English Department guidelines also emphasize certain skills, such as the "ability to develop ideas and to write effective expository and argumentative prose," as well as the reinforcement of the "writing principles earned in English 101."  Thus, this course builds on what you learned in English 101. By the end of the semester, you will be expected to
 1. write clearly, precisely, and in a well-organized manner.
 2. construct and support hypotheses and arguments.
 3. read and listen with comprehension and critical perception.
 4. analyze, synthesize, evaluate, and interpret information and ideas.
 5. read and interpret critically professional and student writing.
 6. gather and document information from printed sources, electronic sources, and observation.
As the professor of this particular class, I would add that writing is a collaborative process, as is all language use.  Thus, group work and discussion (in short, full class participation) are important components of this course.  This significance of in-class activities is reflected in the weight of grades earned for your work.

Classroom Environment
Be prepared to work together often, to participate in class activities beyond simple note-taking and typing, and to have your writing read by multiple readers.  I do not merely want bodies in attendance; I expect to see prepared and thinking students.  This means that you will bring the required materials and complete any assignments due for that particular day.  You should read the assignments listed on the syllabus before class.  To help you enter into class discussions, read the selections twice, take notes, annotate your readings, and look up unfamiliar words in the dictionary.  In addition to writing excellent essays, the best way to illustrate that you are an active, engaged, and interested student is by contributing regularly to class discussions. Lecturing in a composition course doesn't teach you what you need to learn; instead, we will be work-shopping on most days, which requires you to participate actively in creating a learning environment in the class by discussing, giving feedback, and supporting each other's learning.  Those who consistently and positively contribute to class discussions will receive the highest marks.

Reading
Expect to do plenty of reading.  Since you signed up for this course, I expect you to fulfill the very least of your responsibilities: complete the readings listed on the syllabus before you come to class.  You should schedule appropriate times for reading every day to make sure you have completed all assignments before you come to class, not just by skimming the material but by actively and carefully reading each assignment.  Further, to help you enter into class discussions, read the selections carefully, take notes in the margins or in a reading journal, and look up unfamiliar words in the dictionary.  You will write reading logs in which, along with summaries of each essay noted on the syllabus, you will write a paragraph exploring something of interest to be brought up in class discussion — for instance, a significant quotation and your interpretation of it and how it relates to the work as a whole, observations/interpretations/questions about a detail, a challenge to the logic of an argument, how it relates to another reading, or why you agree or disagree with the argument's assertion.  If class discussions lag too much and it appears that too many of you are skimming and not taking good reading notes (or not reading at all), I reserve the right to give reading quizzes that will weigh heavily on your grades.  I do not wish to institute such a procedure, though, so be good and active readers!

Absences
I expect you to attend class every day and to be on time, prepared, and attentive.  Whether you attend class or not, you are responsible for ALL assignments. You should get missed assignments, notes, and handouts from your study partner BEFORE you return to class, rather than asking me my least favorite question, "Did I miss anything  important in class yesterday?"  As a student, you assume responsibilities, including regular and active class attendance.  In class exercises are cumulative learning moments that build on each other.  By the end of each exercise or workshop, you will have mastered some writing or reading skill. If you miss the workshop, you should make sure your study partner fills you in, and you should do the exercise on your own.  Absent or not, I expect you to learn the skills and techniques of each and every workshop before the next class period.  You may miss up to three classes with no excuse necessary.  Missing any more classes than three (with or without an excuse) will seriously affect your course grade.  If, because of a medical or family emergency, you must miss class, you should email me or telephone me as soon as possible, leaving a message on my voice mail that includes a phone number if I am not at my desk.  If you miss a due date on any assignment for any reason, you should turn in that assignment the very next day (not the next class period) and expect your work to be lowered by a single grade.  Finally, I will not accept work more than one day late for any reason.

Conferences & Tutoring
I will be available to see you (121 Meggers Hall) during my office hours to discuss your work, the progress of your papers, or any other concerns you may have. If you do not understand something or if you want to be getting higher grades, use my office hours to work with me individually.  It is ultimately your responsibility to work for the grade you want, and for some of you, individual help may be necessary.  To assure that I will be able to see you, you should try to set up an appointment with me.  I am also available for questions and concerns via e-mail (nchick@uwc.edu) even when I am not on campus.  If you want extra help on your essays, UWBC now has writing tutors in the Learning Lab (Meggers 124), and the UW Colleges English Department has an Online Writing Center.  You can find information about both at www.barron.uwc.edu/English/engdept.htm.

Study Partners
Early in the semester, we will set up study partnerships.  Your partners will be responsible for providing notes and handouts for you if you are absent, for reviewing your papers critically when needed, and for general support. List the name, phone number, and e-mail address for your partner here:  Name ________________________________ phone number _______________________ email address ____________________________.  Just in case you and your partner are absent on the same day, you should get a third partner as a backup.  Name ________________________________________ phone number _________________________ email address _________________________________.

Computers & Composition
You must submit all work for this class, except in-class prewriting exercises and drafts, in a typed or computer-printed form. Using computers is advantageous for composition because it makes the necessary steps of revision and editing much easier. There is ample computer lab space on campus if you do not have a computer at home, so familiarize yourself with this equipment as soon as possible. You will also need an email address as soon as possible since I am consistently available via email, even on most weekends and most nights.

Scholastic Conduct
As a student at the University of Wisconsin-Barron County, you are part of an academic community and therefore expected to behave in a manner that is respectful of that community, by not engaging in academic misconduct.  (1) Academic misconduct is an act in which a student: (a) seeks to claim credit for the work or efforts of another without authorization or citation; (b) uses unauthorized materials or fabricated data in any academic exercise; (c) forges or falsifies academic documents or records; (d) intentionally impedes or damages the academic work of others; (e)engages in conduct aimed at making false representation of a student's academic performance; or (f) assists other students in any of these acts.  (2) Examples of academic misconduct include, but are not limited to: cheating on an examination; collaborating with others in work to be presented, contrary to the stated rules of the course; submitting a paper or assignment as one's own work when a part or all of the paper or assignment is the work of another; submitting a paper or assignment that contains ideas or research of other without appropriately identifying the sources of those ideas; stealing examinations or course materials; submitting, if contrary to the rules of a course, work previously presented in another course; tampering with the laboratory experiment or computer program of another student; knowingly and intentionally assisting another student in any of the above, including assistance in an arrangement whereby any work, classroom performance, examination or other activity is submitted or performed by a person other than the student under whose name the work is submitted or performed.

Essays
You are now writers in a college-level English course, so I expect each paper to be polished, proofread, and provocative. Never hand in an assignment for any college class without carefully and thoroughly proofreading the final print copy.  You should treat your essays as formal assignments written for a college-level context, and they should be compiled in a file folder with prewriting exercises, drafts, peer review sheets, and the final draft.  Since writing is a process with necessary steps along the way, I will not grade any papers that are turned in without these materials that document this process.

Your course grade will be determined in the following way:
  15% Reading Logs
  10% Essay 1 (Argument)
  10% Essay 2 (Argumentative Analysis)
  15% Essay 3 (Single-work Analysis)
  15% Essay 4 (Research)
  15% Essay 5 (Literary Analysis)
  10% Research Group Presentation
  10% Class participation


Syllabus

F, 9/3  Introductions
M, 9/6  Labor Day, no classes
W, 9/8  How to Study for English 102, "Learning from Your Surface Errors" (SMH I-11 to I-27 [blue pages in front]), "Commas" (SMH 29)
 F, 9/10  "Reading and Analyzing Assignments" (CA 1-27), "Recognizing ethical fallacies, Appealing to logic, Appealing to emotion" (SMH 5d4, 5e, 5f), "Errors in Logic" (h)

Why Are We Here?
M, 9/13  John Henry Newman "The Idea of a University" (h); Reading log due
W, 9/15  Jacob Neusner "The Speech the Graduates Didn't Hear" (h); Barrett Seaman "What Makes a Good College" (h); Reading logs due
F, 9/17 Mark Edmundson "On the Uses of a Liberal Education: As Lite Entertainment for Bored College Students" (h); Reading log due
M, 9/20  Earl Shorris "On the Uses of a Liberal Education: As a Weapon in the Hands of the Restless Poor" (h); Reading log due
W, 9/22 Jane Tompkins "Postcards from the Edge" (h); Reading log due
F, 9/24   Writing Workshop:  "Developing Essays" (CA 47-51), "Analyzing essay examination questions" (SMH 46b), "Analyzing academic assignments & expectations [in different disciplines]" (SMH 45a; skim the rest of the chapter to see if any discussions apply to your other classes or your field of study), "Deciding to write, Understanding writing assignments, Deciding on purposes" (SMH 2a, 2b, 2c)
M, 9/27 Writing Workshop:  "Writing with a Computer" (SMH 48), "Preparing Your Manuscript" (SMH 49), "Documentation" (CA 86-90, Refer to SMH 43 for specific questions about MLA Documentation Style), "Using Sources" (SMH 41c), "Interpreting sources" (SMH 41e)
W, 9/29  Drafting Day (in Ritzinger 706)
F, 10/1  Peer Evaluation (for Peer Evaluation days, you must bring a completed, typed draft or you will not be able to attend class and you will be counted absent), "Revising, Editing" (SMH 4)

A Picture is Worth a Thousand Words
M, 10/4  "Persuasion in Diverse Genres" (CA 27-46); Benjamin Franklin "Join, or Die" (CA 94), Sartain's Union Magazine of Lit & Art "Liberty Introducing the Arts to America" (CA 160), "Paragraphs" (SMH 6 & blue box on p.135); Reading logs due; Essay One due
W, 10/6 "Enlist: On Which Side of the Window are YOU?" (CA 227), "Fame Instead of Shame" (CA 229), "Focusing on your audience" (SMH 2e), "Recognizing & Using Argument" (SMH 5a-5d) "Considering Others: Building Common Ground" (SMH 28), "Choosing the appropriate register" (SMH 27e), "Balancing general and specific diction" (SMH 27c); Reading logs due
F, 10/8   "Deliver Us from Evil" (CA 445), Edward T. Adams "Saigon Execution" (CA 449), Huynh Cong "Nick" Ut "The Terror of War" (CA 451), "Exploring, Planning, Drafting" (SMH 3); Reading logs due
M, 10/11  Drafting Day (in Ritzinger 706)
W, 10/13  Peer Evaluation (bring completed typed draft), "Writing and Research" (CA 51-69)

Research Unit on American Identity
F, 10/15  "Identities" (CA 91-94), "American Dreams" (CA 147-51), "Images of Gender and Family" (CA 219-24), "Work and Play" (CA 295-99), "Justice and Civil Liberties" (CA 359-64), "War and the Enemy" (CA 431-35), "Frontiers" (CA 477-81); Essay Two due
M, 10/18  Hector St. John de Crevecoeur "What is an American?" (h), Joseph Keppler The U.S. Hotel Badly Needs a Bouncer (CA 102); Reading logs due
W, 10/20  Frederick Douglass "Independence Day Speech at Rochester" (CA 382), Eudora Welty Dolls (CA 399); Reading logs due
F, 10/22   Luther Standing Bear "What the Indian Means to America" (CA 106), Police Gazette "Indian Treachery and Bloodshed" (CA 502); Reading logs due
M, 10/25  Charlotte Perkins Gilman "Women and Economics" (CA 305), Susan B. Anthony "Women's Right to Vote" (CA 387), unknown artist Keep Within Compass (CA 224); Reading logs due
W, 10/27  Jacob A. Riis from How the Other Half Lives (h), Margaret Bourke-White There's No Way Like the American Way (CA 184); Reading logs due
F, 10/29 Group Division & Organization/Explanation of Task, Introduction to research techniques (CA 69-86); Essay Three due
M, 11/1 Group Conferences/Work Day
W, 11/3 Video: Anthem
F, 11/5  Video: Anthem
M, 11/8 Video: Anthem
W, 11/10 Discussion of Anthem; Reading log due
F, 11/12  Group Conferences/Work Day
M, 11/15  "Incorporating source materials" (SMH 42d), "Quotation Marks" (SMH 29h, 33); Review documentation (CA 86-90)
W, 11/17   "Being Concise" (SMH 19b), "Choosing between active & passive voice" (SMH 23b), "Choosing strong verbs" (SMH 23a)
F, 11/19  Group Presentations
M, 11/22 Group Presentations
W, 11/24  Drafting Day (in Ritzinger 706)
F, 11/26   No classes, Thanksgiving Break
M, 11/29 Peer Evaluation (bring completed typed draft)
W, 12/1  "Varied Sentences," "Parallelism," "Memorable Prose" (SMH 21, 22, 23); Essay Four due

Literary Studies
F, 12/3  Robert Frost "The Gift Outright" (h), Louise Erdrich "Dear John Wayne" (CA 535); Reading logs due
M, 12/6  Langston Hughes "Let America Be America Again" (CA 181), Donna Langston "My, My, My, What We Got Today in the Food Bank Line" (h); Reading logs due
W, 12/8 Kate Chopin "The Story of an Hour" (h); Reading log due
F, 12/10 Peer Evaluation
M, 12/13 Final Day of Class, Final Exam Review
Final Essay due TBA