English 102, Fall
2000
Dr.
Nancy Chick
Contact
Information
Office: 121 Meggers Hall
Office hours: TBA & by appointment
Email: nchick@uwc.edu
Phone: 234-8176, ext. 5425
Meeting
Time & Place
9:30 - 10:45 (TTh) in SC 402C
Required
Materials
Lunsford & Connors St. Martin’s Handbook
(SMH on syllabus)
Moser & Watters Creating
America (CA on syllabus)
An unabridged college
dictionary
A large, three-ring
notebook & plenty of paper (Keep all notes, Reading Logs, and essays in
this notebook.)
3½” floppy disk (All
Reading Logs and Essays should be saved on this disk using Word or a program
compatible with Word.)
Course
Description
English 102 is a “rhetoric course that focuses on writing which presents information and ideas effectively, with attention to the essay and techniques of documentation. Emphasis will be on academic writing which is applicable across the curriculum.” The English Department guidelines also emphasize certain skills, such as the “ability to develop ideas and to write effective expository and argumentative prose,” as well as the reinforcement of the “writing principles earned in English 101.” Thus, this course builds on what you learned in English 101. By the end of the semester, you will be expected to
1. write
clearly, precisely, and in a well-organized manner.
2. construct and support hypotheses and arguments.
3. read
and listen with comprehension and critical perception.
4. analyze,
synthesize, evaluate, and interpret information and ideas.
5. read and
interpret critically professional and student writing.
6. gather
and document information from printed sources, electronic sources, and
observation.
As the professor of this
particular class, I would add that writing is a collaborative process, as is
all language use. Thus, group work and
discussion (in short, full class
participation) are important components of this course. This significance of in-class activities is
reflected in the weight of grades earned for your work.
Classroom
Environment
Be prepared to work
together often, to participate in class activities beyond simple note-taking
and typing, and to have your writing read by multiple readers. I do not merely want bodies in attendance; I
expect to see prepared and thinking students.
This means that you will bring the required materials and complete any
assignments due for that particular day.
You should read the assignments listed on the syllabus before class. To help you enter into
class discussions, read the selections twice, take notes, annotate your
readings, and look up unfamiliar words in the dictionary. In addition to writing excellent essays, the
best way to illustrate that you are an active, engaged, and interested student
is by contributing regularly to class discussions. Lecturing in a composition
course doesn’t teach you what you need to learn; instead, we will be
work-shopping on most days, which requires you to participate actively in
creating a learning environment in the class by discussing, giving feedback,
and supporting each other’s learning.
Those who consistently and positively contribute to class discussions
will receive the highest marks.
Reading
Expect to do plenty of
reading. Since you signed up for this
course, I expect you to fulfill the very least of your responsibilities:
complete the readings listed on the syllabus before you come to class. You should schedule appropriate times for
reading every day to make sure you have completed all assignments before you
come to class, not just by skimming the material but by actively and carefully
reading each assignment. Further, to
help you enter into class discussions, read the selections carefully, take
notes in the margins or on a sheet of paper, and look up unfamiliar words in
the dictionary. You will write Reading
Logs in which, along with summaries of each essay noted on the syllabus, you
will write a paragraph exploring something of interest — for instance, a
significant quotation and your interpretation of it and how it relates to the
work as a whole, observations/ interpretations/questions about a detail, a
challenge to the logic of an argument, how it relates to another reading, how
you would apply the information to your own writing or writing history, or why
you agree or disagree with the argument’s assertion. If class discussions lag too much and it appears that too many of
you are skimming and not taking good reading notes (or not reading at all,
especially with the readings for which there are no Reading Logs), I reserve
the right to give reading quizzes that will weigh heavily on your grades. I do not wish to institute such a procedure,
though, so be good and active readers!
Absences & Their Effects On Your Work
I expect you to attend
class every day and to be on time, prepared, and attentive. Whether you attend class or not, you are
responsible for ALL assignments. You should get missed assignments, notes, and
handouts from your study partner BEFORE you
return to class, rather than asking me my least favorite question, “Did I miss
anything important in class yesterday?”
As a student, you assume responsibilities, including regular and active
class attendance. In-class exercises are
cumulative learning moments that build on each other. By the end of each exercise or workshop, you will have mastered
some writing or reading skill. If you miss the workshop, you should make sure
your study partner fills you in, and
you should do the exercise on your own.
Absent or not, I expect you to learn the skills and techniques of each
and every workshop before the next class period. If you miss a due date on an assignment for any reason, you
should turn in that assignment the very
next day (not the next class period) and expect your work to be lowered by
a single grade. (This does not
include Reading Logs -- those may be turned in only during class on the day
assigned, no exceptions. The
function of Reading Logs is to prepare you for a particular class period, so if
you miss the class period, you Log will not be graded.) Finally, I will not
accept papers more than one day late for
any reason.
Conferences
& Tutoring
I will be available to
see you (121 Meggers Hall) during my office hours to discuss your work, the
progress of your papers, or any other concerns you may have. If you do not
understand something or if you want to be getting higher grades, use my office
hours to work with me individually. It
is ultimately your responsibility to
work for the grade you want, and for some of you, individual help may be
necessary. To assure that I will be
able to see you, you should try to set up an appointment with me. I am also available for questions and
concerns via e-mail (nchick@uwc.edu).
If you want extra help on your essays, UW-BC now has writing tutors in
the Learning Lab (Meggers 124), and the UW Colleges English Department has an
Online Writing Center. You can find
information about both on the door of the Learning Lab or at
www.barron.uwc.edu/English/engdept.htm.
Study
Partners
Early in the semester, we
will set up study partnerships. Your
partners will be responsible for providing notes and handouts for you if you
are absent, for reviewing your papers critically
when needed, and for general support. List the name, phone number, and e-mail
address for your partner below:
Name
______________________________ phone number _____________________ email
address__________________________. Just
in case you and your partner are absent on the same day, you should also choose
a backup partner.
Name
______________________________ phone number _____________________ email
address___________________________.
Computers & Composition
You must submit all work
for this class, except in‑class prewriting exercises, in a typed or
computer-printed form. Using computers is advantageous for composition because
it makes the necessary steps of revision and editing much easier.
There is ample computer lab space on campus if you do not have a
computer at home, so familiarize yourself with this equipment as soon as
possible.
Plagiarism
& Scholastic Conduct
As a student at the
University of Wisconsin-Barron County, you are part of an academic community and
therefore expected to behave in a manner that is respectful of that
community, by not engaging in academic misconduct. According to the Student Rights
and Regulations Handbook, Academic Misconduct is an act in which a student,
among other acts not relevant to this class, “seeks to claim credit for the
work or efforts of another without authorization or citation.” Examples of academic misconduct include, but
are not limited to, “submitting a paper or assignment as one's own work when a
part or all of the paper or assignment is the work of another,” and “submitting
a paper or assignment that contains ideas or research of other without appropriately
identifying the sources of those ideas.”
The consequences for such misconduct are serious. Refer to the Handbook for details. I take this offense very seriously, as
should you.
Essays
You are now writers in a
college-level English course, so I expect each paper to be polished, proofread,
and provocative. Never hand in an
assignment for any college class without carefully and thoroughly proofreading
the final print copy. You should treat your essays as formal assignments written for a college-level context, and they
should be compiled in a file folder with prewriting exercises, drafts, peer
review sheets, and the final draft.
Since writing is a process with necessary steps along the way, I will
not grade any papers that are turned in without these materials that document
this process. Your course grade will be
determined in the following way:
10%
Reading Logs/Quantitative (consistency)
10%
Reading Logs/Qualitative (quality)
10% Essay One
10% Essay Two
15% Essay Three
15% Essay Four
10% Group Writing Project
10% Final
Exam
10% Class participation
T 9-5 Introductions to the course, your professor,
and your classmates
Th 9-7 “How to Succeed in English 102" (h),
“Learning from Your Surface Errors” (SMH I-13 to I-29 [blue pages in front of
book]), Composition Pretest
T 9-12 “Sentences” (SMH 7), “Using Verbs” (SMH 9), Reading logs due at beginning of class
Th
9-14 The Writing Process:
“Exploring, Planning, Drafting,” “Revising, Editing” (SMH 3 & 4), “Writing
and Research” (CA 47-69), Reading logs due at beginning of class
T
9-19 Writing Paragraphs: “Paragraphs” (SMH 6 & note the blue box
on p.131), “Thinking Critically: Constructing and Analyzing Arguments” (SMH
5a-5c), Reading logs due at beginning of class
Th
9-21 “Subject-Verb Agreement” (SMH 10),
Patricia T. O’Conner “They Beg to Disagree: Putting Verbs in Their Place” (h), “Fragments” (SMH
16), Group Writing Project Description
T
9-26 Quoting & Citing: “Quotation Marks” (SMH 30h, 34),
“Documentation” (CA 86-90, Refer to SMH 44 for specific questions about MLA
Documentation Style), “Using Sources” (SMH 42), Reading logs due at
beginning of class
Th 9-28
Peer Evaluation (with all Peer Evaluation days, bring a completed, typed draft
to class or else you will be counted absent), Group Writing Project
Organizational Workshop (very important!)
T
10-3 Audience: “Purpose, Audience” (SMH 2), “Considering
Others: Building Common Ground” (SMH 29), “Choosing the appropriate language
and register” (SMH 27a), Essay One due
at beginning of class
Th
10-5 John Henry Newman “The Idea of a
University” (h), Ben Jacobs & Helena Hjalmarsson “Reading” from The
Quotable Book Lover (h), Reading
logs due at beginning of class
T
10-10 Edmund J. Hansen “Essential
Demographics of Today’s College Students” (h), Richard H. Hersch “Intentions and Perceptions: A National Survey
of Public Attitudes Toward Liberal Arts Education” (h), Reading logs due at
beginning of class
Th
10-12 Earl Shorris “On the Uses of a
Liberal Education: As a Weapon in the Hands of the Restless Poor” (h), Reading
log due at beginning of class
T 10-17 Library Orientation for Research Paper: Meet in the library for
Zora Sampson’s guided introduction to specific sources and places in the
library that will help you begin your research paper
Th
10-19
Diction Workshop: “Considering Diction” (SMH 27), “Enriching
Vocabulary” (SMH 26), [Note that Reading
Logs for the 3 primary sources for your Research Paper are due on or before
Thursday, November 2]
T
10-24 “Commas” (SMH 30), “Comma
Splices, Fused Sentences” (SMH 15), Mark Edmundson “On the Uses of a Liberal Education: As Lite
Entertainment for Bored College Students” (h), Reading log due at beginning
of class
Th 10-26
“Apostrophes” (SMH 33), Peer Response
T
10-31 The Rhetorical Triangle: “Reading and Analyzing Assignments” (CA
1-27), “Persuasion in Diverse Genres” (CA 27-46),“Establishing credibility,
Appealing to logic, Appealing to emotion” (SMH 5f-5h), “Recognizing ethical
fallacies, Appealing to logic, Recognizing logical fallacies, Appealing to
emotion” (SMH 5f4, 5g, 5f), [Note that
your Research Paper Detailed Sentence Outline (see SMH 3e) & Works Cited
are due on Thursday, November 9],
Essay Two due at beginning of class
Th
11-2 Frederick Douglass “Independence
Day Speech at Rochester” (CA 382), Susan B. Anthony “Women’s Right to Vote” (CA
387), Reading logs due at beginning of class (for both
Douglass & Anthony, and for your 3 primary sources for your Research Paper)
T 11-7
Martin Luther King, Jr. “Letter from Birmingham Jail” (CA 406),
“Pronoun-Antecedent Agreement” (SMH 11), Reading
log due at beginning of class
Th
11-9 Sartain’s Union Magazine of
Lit & Art “Liberty Introducing the Arts to America” (CA 160), “Enlist:
On Which Side of the Window are YOU?” (CA 227), “Fame Instead of Shame” (CA
229), “Deliver Us from Evil” (CA 445), Edward T. Adams “Saigon Execution” (CA
449), Reading logs due at beginning of class, Research Paper
Detailed Sentence Outline (see SMH 3e) &
Works Cited due at beginning of class
T 11-14 Peer
Response
Th
11-16 “½ as Long!”: Patricia T. O’Conner “Saying Is Believing:
How to Write What You Mean” (h), “Being Concise” (SMH 19b), “Voice:
Active/passive” (SMH pages 224-226), “Choosing between active & passive
voice” (SMH 23b), “Choosing strong
verbs” (SMH 23a), Essay Three due at
beginning of class (bring your final draft on a disk to print out in class)
T
11-21 Peer Response, Research Draft due at beginning of class (if
you would like feedback from me before you turn in your final copy, bring 2
copies of your draft: one for me, one for classmate)
Th
11-23 Thanksgiving break, no class; If you brought me a draft on 11-21, pick up
your Research Draft at my office on Monday, November 27, so you have a few days
to make necessary revisions.
T 11-28 Style
Workshop: “Parallelism,” “Varied
Sentences,” “Memorable Prose” (SMH 21, 22, 23)
Th
11-30 William Safire’s “Fumblerules” (h), Writing Workshop TBA, Essay Four (Research) due at beginning of class
T
12-5 Strunk & White “An Approach to
Style” from Elements of Style (h),
William Zinsser excerpts from On Writing
Well, Reading logs due at beginning of class
Th 12-7 Patricia
T. O’Conner Woe Is I: The Grammarphobe’s Guide to Better English in Plain
English
“Introduction” (h), Jacobs
& Hjalmarsson “On Writing” from The Quotable Book Lover (h), Reading logs due at
beginning of class
T
12-12 Jacobs & Hjalmarsson
“Literacy” from The Quotable Book Lover (h), Reading logs due at
beginning of class
Th 12-14 Group
Writing Project due at the end of
class, Constance Hale “Music” from Sin & Syntax: How to Craft
Wickedly Effective Prose (h), Reading logs due at beginning of class
W 12-20 Final Exam
2:00 - 4:00 pm